All
One Ghost for the
Day,
One
Ghost
fortheNight
SCENE
1
Aghost
comes
toRichard
Little
Theyearis
1653.Itisacold,darkwinter
nightand Richard
Little,amanofforty,
is sittinginhischair.He isreadingabook.
Hehearssomething.
Hegoestothe window,
looks
outandthengoesbacktothechair.His wife,Mary,
comesin.Sheismaking
adress.Shehasthe dressinherhand.
RICHARD
Mary,
Icanhearsomething
outside.
MARY
There's
nothing
there.
Readyourbook,
Richard.
RICHARD
Comeandsitwithme.
MARY
No.I'mmaking
adress.I'mgoingupstairs.
RICHARD
Mary,
please.There's
something
outthere.
MARY
Oh,Richard!
MarygoesoutandJamesHeston'sghostcomesin.
HESTON
Hello,Richard.
RICHARD
Aaaagh!You!James!James Heston! Butyou- you're
dead!
H
E
STON
Yes.Iamdead.ButIcan't
findpeacebecauseof
you.
RICHARD
Becauseofme?Why-
whybecauseofme?
1
'
M
y
boy
gets
my
mone
y
a
t
t
w
enty
-
one
and
not
bef
or
e
,
r
H
E
STON
B
e
thh
a
dan
ew
hu
s
b
a
nd
afterme.Th
a
t
a
nim
a
l, K
ee
ch.
RIC
H
ARD
Y
es.
Beth
wasag
o
o
d
wo
m
a
n.
And
a
g
oo
d
s
i
s
t
e
rtome.I
sai
dt
o
h
e
r
,
'Don't
go
w
ithK
ee
ch. Think
ofJam
e
s.
H
e's
d
e
adnow.'
HESTO
N
S
h
e
wasK
ee
ch's
wi
f
e
foronlythreemonth
s
.
T
h
e
n
s
h
e
died.Andn
o
wK
ee
chhasmyson.And h
e
h
as
m
yso
n
's
m
o
n
ey.
R
I
C
H
ARO
A
h.Iund
ers
t
a
nd
n
ow
.
HESTON
O
h
,yo
u
rem
e
mb
er
now?
Bef
o
reIdi
e
d,I
sa
idt
o yo
u
,'My
b
oyge
t
smy
m
o
n
ey
attwen
t
y
-on
e
a
nd notb
efore'
.
H
e
i
seig
ht
now
.Eight.AndK
eech
h
a
shi
s
m
o
n
ey
.
2
R
I
C
H
ARD
I'm
s
orryabout
th
a
t
,
but
w
h
a
t
c
a
nIdo
?
HESTON
Youmustgetm
y
bo
y
'
s
m
o
n
e
y
.
Getitfrom
K
ee
ch.
R
I
CHARD
No!Keechcankill
me
withonehand.
He
's
bi
g
-
healwayshas
a
kn
i
f
ein
hispocket.
Lasty
ear
h
e
killedaman
w
ithth
a
t
knife.I'mafraid
of h
i
m,J
a
mes.
HESTON
Arey
ou
afraid
ofm
e?
R
I
CHARD
No
.
Oh!Yes,al
i
tt
l
e.
Y
o
u'
re
a
g
host!
HESTON
Onl
y
alittle,eh?L
oo
k
a
tth
e
table.
RICHA
R
D
(
Looking
atth
etab
l
e)
Oh
n
o!Thetab
l
e
i
s
moving!(H
e
st
a
nd
s
up
a
ndwalks
tothetabl
e
.)
Ohno!Oh,th
e
ch
a
i
ris
m
ov
ingnow!Andno
w myc
hairism
o
vin
g
!J
a
m
es
!Don
'
t
doth
is
t
o
m
e!
HES
T
ON
A
tthi
s
m
i
nute,
K
ee
chi
s
buildi
n
g
a
n
ew
h
o
m
e
in
av
illa
g
e
n
ea
rh
erewi
thm
yso
n
'sm
o
ney
.
S
t
op
him!
RICHARD
I'msorry,Jam
es
.
I
ca
n't.
(
H
ege
t
sa
book
a
n
d
throws
itacrossth
e
r
oo
m
.)
I
didn't
want
-
th
a
t w
a
smyhand but-J
ames,c
anyougetinm
y
h
ea
d?Can
y
out
e
llm
y
h
a
nd-
H
e
looksath
i
sh
a
nd
a
n
da
tth
e
book.
HESTON
(Laug
hin
g)
Y
es,
Ric
h
a
rd
.
A
nd
y
ouran
sw
er i
s go
ingtobe
'
Y
es
'. Or
yo
u
a
r
eg
oingtod
o
thi
s aga
inanda
gai
n
a
nd
aga
in
a
nd-
Richardgets
a
bo
o
k
a
ndth
ro
ws
itacrossth
e
·
3
r
oom
a
g
a
in.
Th
e
n
h
e
runs
across
th
e
room.
T
h
e
n h
e
moves
th
e
ta
bl
e,
th
e
chairs
and
his
c
h
air
. Heston
lau
g
hs.
Ri
c
h
a
rd
s
t
o
ps
.
RI
CHA
RD
I'mgoingm
a
d!Whydo
es
m
y
hand throw
a
book,
wh
e
nId
o
n
'
t
w
a
nt
t
o
?C
a
nalld
e
adp
eo
pl
e
dothi
s
?
Ca
nth
eyge
tin
a
m
a
n
'
s
h
e
ad,
so
h
e
m
ovesa
cha
i
ror
th
ro
w
s
a
b
oo
k?
HESTON
Oh
yes.N
o
w,
I
ca
nd
o
itt
oy
oua
g
ainor
yo
u
ca
n
say'
Y
es'a
ndgetm
yso
n
's
mon
ey
.Whi
c
h?
R
I
CHARD
Buthow?Ho
w ca
nI
ge
tthemoneyfrom
K
e
ech?
H
ESTO
N
Sitdown.
I'mgoin
g
t
o
t
e
llyou.
'
I
'
m
go
in
g
mad!
'
4
S
CENE
2
David
Keechincourt
Inth
e
courtwecansee Jud
ge
Timms,
Keech,B
ar
k
er,
R
e
ynolds,
Richard
andM
a
ry.
Th
e
r
e
aresixwom
e
n
a
nd si
x
m
e
nb
e
hindKe
e
ch.
Th
e
y
a
r
e
from
thevilla
g
e
and th
eya
r
ewa
tching
th
e
tri
a
l.Ju
dge
T
i
mms
isin
a
bi
g
c
h
a
i
ri
nfront
o]
the
co
urt.
B
A
R
KER
(
St
a
nding)
Myn
a
m
e
i
s
Oli
v
erBarker.AndI
sp
ea
kforRichard
Litt
l
e
heretoday.
H
e
sits.Reynolds
standsup.
R
EY
N
OLDS
JudgeTimms.
I
s
p
ea
kforDavidKeechh
ere
t
o
day.
Mynam
e
i
s
PhilipRe
y
n
o
lds.
(
H
e
s
i
t
s
.
)
W
O
MAN
l
That
Keechto
o
k
th
e
b
oy
'
s
m
o
n
ey
.Y
o
u
ca
n
see
itinhisfac
e
.
WOMAN2
OhLil,w
e
mu
s
tli
s
t
e
nt
o
Oli
ve
rBark
e
r
a
nd
PhilipReynol
d
s
fi
rs
t.
MAN
1
KeechistheboyTom
's
f
a
ther
now.
M
AN
2
Agoodfather
doesn
'
t
takehisson's
money
a
nd buildanewhousewithit.
T
I
MMS
B
e
quietinm
y
court!
WO
M
A
N
1
Sorr
y
!
TIMMS
Oli
v
erBarker.Youc
a
nb
egi
n.
B
A
R
KER
(
St
a
nding)
Jud
ge
Tim
m
s
.
BeforeJames He
s
t
o
n died,hesaidthistoRi
c
hard
Little.Hesaid
,'
M
y
5
bo
y
getsm
y
mo
neya
ttwenty-one
andnotbef
ore
.'
T
I
MMS
(
Writin
g
)
'Att
we
nt
y
-
o
n
e
a
ndnotbefor
e
..
.'
Th
etr
i
a
l
of
D
a
vid
K
e
ech.
6
BA
R
KER
Ye
s,
judge.But
Kee
c
hh
as
thi
s
m
o
n
eynow
.Th
e
bo
y
'
s
money.H
e
i
s
buildi
n
g
a
bi
g
hou
sewi
th
i
t. Weallknow
that.
M
AN
1
(Starting
toeat
som
e
thin
g
)
PutKeechinpr
iso
n, I
s
ay.
M
A
N6
(
E
a
ting
)
Five
ye
ar
s
.
WOMAN6
(
E
a
ting
)
No,t
e
n.
TIMMS
Y
o
u!Don't
e
a
t
i
nm
yco
urt!PhilipRe
y
nold
s
.
Speak.
R
EYNOLDS
(
Standin
g)
Jud
geTi
mm
s
.
Ye
s
,thereisahou
se
i
navilla
g
e
n
ear
h
e
r
e.
And,yes, itis Keec
h
'
sh
o
u
se.
Butth
e
mon
ey
foritisnotyoungTom's
mon
ey
.
TI
M
M
S
(W
riti
n
g)
Not
T
o
m
's
mon
e
y.
REYNO
LD
S
No,Judge
Tim
m
s
.
Iti
s
D
a
v
i
dK
ee
c
h
's
m
o
n
ey
.
R
ey
nolds
sits.
BAR
K
ER
(
St
a
ndin
g)
S
oo
n
e
d
ay
K
ee
c
hi
s
n
o
t
r
i
c
h
a
ndth
e nex
td
ay
h
e
is
r
ic
h?
He
h
as
m
o
n
ey
fo
ra
h
o
u
se
?
M
e
n
and
w
o
m
e
n
l
a
u
gh
.
Ba
rk
er
sits.
REY
NO
LD
S
(Standing)
CallD
a
vidK
ee
ch.
K
e
ech
stands
infr
o
nt
o
fJud
ge
Timms.
REYNOLDS
DavidKeech.Wh
e
r
e
i
s
theboyTom's
mon
ey
?
Do
y
ouhaveitath
o
m
e
?
KEECH
N
o.
WOMA
N
3
Keechtookth
e
m
o
n
ey
!
It
w
a
sKeech!
WO
M
AN
6
Isaid,'Keechtook
th
e
money!'Isaidth
a
t yesterday!
7
KEECH
Ihavethemoneyhere.In
thiscourt
.
MENANDWOMEN
1-3
(Alltalking)
No!Never!Keechdidn't takethemoneythen!Themoney's
here!Herein thiscourt!
KEECH
Themoneyi
s
under
mychair.You!Woman!
Bringm
e
th
e
money!
WOMAN
1
M
e
?
KEECH
Y
e
s,you!(Thereisabagund
e
rKeech'schair.
Woman
1takesitandgivesittoKeech.)
WOMAN
1
Hereyouare.(Shesitsdown
again.)
K
EEC
H
(Opening thebagandtaking
outmoney)
Here!
Judge
Timms!Here!Richard
Little!Hene!Look, everybody!Hereisthemoney!So I didn't
takeit fromtheboy!Youhearme,Richard
Little?
RICHARD
(Afraid)
Yes.
TIMMS
Oneminute!Richard
Little.
RICHARD
(Standing,looking
afraid)
Yes,JudgeTimms?
TIMMS
Yousaid,'Keechtook
theboy's
money'.
You
sa
idthat.
Why?Why,man,why?Whysaythat?
RI
C
HAR
D
B
e
c
a
us
e
-
b
e
cause.BecauseJames Heston
came t
o
myh
o
m
e
.J
a
mes
Heston
saidittome.
MENAN
D
W
O
M
E
N
4--6
(Alltalking)
James
Heston?Didhesay
'H
es
ton'?
H
e
ston's
dead.Aghostcame?
TIMMS
Ric
h
a
rd
Litt
l
e
,J
a
mes Heston
isdead.Hediedin
1651.
MENANDWOM
E
N
(Alll
a
u
g
hin
g
andt
a
lking)
Hetalked
toa
8
deadman!James
Heston!
Oh,that's
alaugh!
MARY
(Standing)
Judge
Timms.
Myhusband
isill.In ourhousehetalkstopeopleandthereisnobody there.Can
I
takehimhomenow,please?
Themenandwomen
arealllaughing.
RICHARD
I
amnotill!Stoplaughing!Bequiet,allofyou!
Sitdown,
Mary.
Menandwomen
stoplaughing.Marysitsdown.
RICHARD
Thank
you!(Itisquietinthecourtnow.)
Yes, JamesHeston
isdead.Andyes,James
Heston spoketome.IwantJames Heston
here.Now. Hecantellyou.
'Can
Itake
him
home
now,
please?'
9
MA
N
4
He
is
ill! MANS
He's
mad!
WOM
A
4
NLet's
listen
to
him. WOM
A
S
NYes,
we
can
listen
to
him.
TIMMSBequiet!
Call
James
Heston!
Isay,
callJames
Heston
to
this
court!
KEECHHeston
isdead,
man!
And
Richard
Little
ismad! TIMMSCall
James
Heston!
Foraminute,
wecanhearnothing.
Then
wehear
JamesHeston's
voice,butwecannotseehim.
HESTO
N
G
'
S
HOS
T
IamJames
Heston. ME
N
AN
D
WOME
N
Aaaaaagh!
Oh!
Oh,
but
he's
dead! KEECHNo!
No!
Oh
please
no!
ME
N
AN
D
WOME
N
(Alltalking)
It's
Heston!
IsHeston
dead,
then?
Aaaagh!
Oh
I'm
afraid!
Oh
please! TIMMSJames
Heston?
Isityou?
Did
you
speak
to
Richard
Little?
HESTO
N
G
'
S
HOS
T
Yes.
TIMMSWhat
did
you
say?
HESTON'SGHO
S
I
T
told
him,
Keech
took
my boy's
money.
And
then
Keech
killed
aman
inthe
next
village. He
was
arich
man.
Keech
took
his
money.You seethe
money
now.
Here.
Inthis
court.
KEECHAaagh!
Ican't
kill
Heston.
Heston
isdead.
But you!
You,
Richard
Little!
You
brought
meto
this court.
I'm
going
tokill
you
next!
10
Keechrunsoutofthecourt.
TIMMSStop
him!
Stop
him!
ME
N
AN
D
WOME
N
(Alltalking)
Itwas
Keech!
Keech
took the money!
Isaid
that!
Isaid,
'Keech
took
the money!'
TIMMSThis
cO\lrt says,
'Keech
took
the
money.
And Keech
killed
aman.'
Now
find David
Keech
and bring
him
to
me!
SCENE
3
Keech
findsRichardLittle
Richard
issittinginhischair,athome.
RICHAR
D
What's
that?
Can
Ihear
something?
Mary,
is that
you?
Oh
no,
it's
not
James
again!
James,
is that
you?
(Helooks
atthedoor, veryafraid.)
Aaaagh!
Oh
no!
DavidKeechcomesin.Hehasaknife.
RICHAR
D
Oh
no!
Keech,
please!
No!
KeechkillsRichard,
thenrunsaway.Mary comesinandseesRichard.
MARYOh
no!
Not
Richard.
Not
my darling,
darling Richard. Keech
killed
him.
You're
going
to
goto prison
for
this,
Keech.
AGhost
inLove
and
Other
Plays
SCENE
4
AvisitforKeechinprison
Keechisinprison.
Heis sittingonhisbed.Hehasa table,achairandabook
there,too.
KEECH
Hello?
What's
that?
Isthere
someone
there?
Aaagh!
My
table!
My
table
ismoving.
(He stands.)
Aaagh!
Now
the
bed's
moving.
Am
Iill? Oh
myhead!
(Heputshisheadinhishands.)
Oh!
Now
the
chair
is
moving.
What's happening?
(Hetakesthebook
andthrows
it acrossthe
room.)
Why
did
Ido
that?
Am
Imad? Itwas
my
hand
but-
TheghostofRichard
comesin.
KEECH
Aaaaghh!
You're
dead!
Ikilled
you!
RICHARD
Yes.
I'm
dead.
And
you
killed
me.
But
I'm
not going
away.
I'm
staying
here,
inprison
with
you.
KeechwantstohitRichard'sghost,buthe
cannot.Richardlaughs.
RICHARD
You
can't
hit
menow.
You
can't
hit
aghost..
And
you
can't
kill
meagain.
But
wecan
talk.
We have
time
for
that.
We
have
allday.
Keechthrows
abook
acrosstheroom.
RICHARD
And
you
can
do
that
allday
too.
KEECH
Allday?
Allthe
time?
12
OneGhostfortheDay,OneGhostfortheNight
RICHARD
Yes.
(Heliesonthebed.)
Now
throw
the
book across
the
room
again.
(Keechdoesit.)
And
again
and
again
and
again.
KEECH
(Throwing
thebook
againandagain)
Oh
no!
Please!
Are
allmy days
going
to
belike
this?
RICHARD
Your
days,
yes.
And
for
your
nights
-
Ihave
a friend
here.
(JamesHeston's
ghostcomesin.)
HESTON
Hello,
Richard.
Hello,
David.
KEECH
You!
You
here
too!
HESTON
(Smiling)
Yes.
David,
throw
the
book
across
the room,
please.
(Keech
doesit.)
Thank
you. I'm
going
to
behere atnight, David.
And you
have
Richard
here
every
day.
All right?
KEECH
Oh
no!
No!
HESTON
One
ghost
for
the
day,
one
ghost
for
the night.
Now
throw
the book
across
th~room agam.
Keechdoesit.Richard
andHestonlaugh.
INTRODUCTION
JennyLawsonwasanactressandherhusband
Gilbertis afilm d
i
rector.
NowJennystaysathome,in theirnice house,butshe wants
more. Shewants
tolivealittlebeforeshedies!Gilbert loves Jenny,
butawifemuststayathome,hethinks.
Suddenly something
happens
toGilbert, andthenheunderstands
Jenny. Butisittoolate?
CHARACTERS
IN
THE
PLAY
JennyLawson,
afilmactress
Gilbert
Lawson,
Jenny's
husband,
afilmdirector
Henry,
ayoungman,afilmstudent Laura,
afriendofJenny's
fromschool Jenny's
father
Jenny's
mother
Awaitress
attheairport
cafe
Two
women
andonemanattheairport
BritishAirwaysmanattheairport
check-indesk
PERFORMANCE
NOTES
Scene1:Inagarden
with
atable,
two
chairs,
breakfast (with bread), abook.
-
Scene2:Attheairport
cafe,with
atable,twochairs,abigbag; acoffee,acoke,asandwich.
Scene3:Acheck-indesk,someplaneticket
s
.
Scene4
:
Aroom
withatable,threechairs,
atelephone. Jenny
musthaveawatch.
14
Sleepnow,MyDarling
SCENE
1
Jennymust
stayathome
Itisahotsummer
day.Jenny
andGilbertLawson
are havingbreakfast
atatableintheirgarden.Gilbertis readingabook.
JENNY
Gilbert,
canIcomewithyou?ToAmerica?
GILBERT
(Heisreading.Looking
up)
What?
JENNY
Oh,Gilbert!Pleaselistentome!Isaid'Can
I
cometoAmericatoo?'
GILBERT
(Eatingsomebread)
Mmmm.
Thisisgood bread.
Didyoumakeit?
JENNY
Yes.Gilbert!Isaid,'Can
Icomewithyou?'
GILBERT
No,Jenny.
Youhaveworkhere.There's
the house,thegarden
...
Hebeginstoreadhisbook
again.
JENNY
Iremember
MyNew
Friend.Itwasyourbest film.Itwasmybestfilm,too!Theywerehappy days.
GILBERT
(Heputsthebook
down,
smiling.)
Yes.I
watched
My
New
Friendagainlastweek.It'sthe bestGilbert
Lawson
film.Andyouweregoodin it,mylove!You're
agoodactress.
15
JENNY
(Smiling)
Thefilmhadagooddirector!Gilbert
Lawson!
GILBERT
Oh,thank
you!ButnowIhavethisnewfilm,so
ImustgotoAmericaforsixweeks.
JENNY
Gilbert,
canIbeinthisfilm,too?Iwant
tobean actressagain.
GILBERT
Perhaps
nexttime.Would
youlikethat?Perhaps
youcanbeinthenextfilm.
JENNY
Yousaidthat
before.
GILBERT
DidI?(Eatingagain)Yes,thisbreadisvery good.
JENNY
CanwegotoAmericatogether
then?Not
fora
film.Justyouandme.Perhaps
nextyear?
GILBERT
Perhaps.
(Hesmilesather.)
JENNY
(Smilingathim)
Next year,then.
GILBERT
Yes.Next year.Love,Imustgonow.I'mgoing
'Yes,
this
bread
is
very
good.'
16
tobelatefortheplane.
Iloveyou,Jenny.
JENNY
(Unhappily)
Iloveyou,too,darling.
SCENE
2
Jennytalkstoafilmstudent
Itissixweekslater.Jenny
ishavingacoffeeatthe airport.SheiswaitingforGilbert's plane.Ayoung
man, Henry,
seesher.Henry
hasabigbaginhishand.
HENRY
Hello!AreyouJenny
Lawson?
JENNY
Yes.
HENRY
Iknewit!
Ayoung
waitressbringsJenny's
coffee.She smilesatHenry.
WAITRESS
(ToJenny)
Hereyouare.(ToHenry)
Anddo youwant
something?
JENNY
(Tothewaitress)
Thanks.
(ToHenry)
Sorry,but doIknow
you?
HENRY
(Tothewaitress)
Acokeformeplease,anda sandwich.
WAITRESS
(ShesmilesatHenry.)
Onecoke,onesandwich.
(Shegoesaway.)
HENRY
(ToJenny)
Ohsorry-yes.Iknowyourfilm,My
New
Friend.
AndIknow
Gilbert.CanIsitdown?
JENNY
(Smiling)
Youcan't
stand
upandhaveacoke
17
andasandwich.
Waitaminute.
Iknowyou.I know
yourface.ButIcan't
remember
-tellme, howdoyouknow
Gilbert?
Henry
sitsdown
atthetabl
e
withJenny.
HENRY
I'mlearning
a
bouthiswork.IknowalltheGilbert Lawsonfilms.Butforgetaboutme.Iwanttotalk aboutyou.Youaren'thappy.Icanseethat.
JENNY
(Angrily)
What?Youcan't
saythat!
Thewaitresscomesbackwith
acokeanda sandwich.
WAITRESS
(She putsthethingsdown
andsmilesat
Henry.)
Acokeandasandwich.
HENRY
Thank
you.
WAITRESS
That's
OK.Thesandwiches
areverygood.I
havethemforlunchsometimes.
HENRY
(Smilingandeatingthesandwich)
Yes,you're right.It'sverygood.Thank
you.
WAI
T
RESS
That's
OK
.
Goodbye
then.
(She goes.)
J
E
NNY
(Looking
atherwatch)
Imustgosoon.
HENRY
What
doyoudoeveryday?
JENNY
What?Idon't
knowyou.Youcan't
ask-
HENRY
(Smiling)
Jenny.
Please.Tellme.What
doyoudo everyday?
Jenny
beginstocry.Henry
smiles,butnicely.
JENNY
(Crying,angry)
OK.Here'syouranswer.Igetup inthemorning
a
ndthenIdonothing.Wehaveno
18
'lwas
happywhenIwas
anactress.
r
children.Awoman doesthehouseforme.
A
man
doesthegarden.
HENRY
Doyouhavefriends?
JENNY
(Crying)
Yes!No!Ihavecoffeewithpeople.I
havedinnerwithpeople.Wesaythingslike,'Nice weatherforthetimeofy
e
ar
'
.Butw
e
d
o
n
'
t
t
a
lk.
HENRY
Yes.Iund
e
rst
a
nd.
N
o
wI'm
go
ingt
o
t
e
llyou
about
m
e
.I'mtw
e
nty.
I
g
ot
o
Am
e
r
i
ca,
sometimes.
Ihavefri
e
nds.Ilik
e
films,soImake films.I'mhappy.What
about
you?
JENNY
(Shestopscrying.)
IwashappywhenIwasan actress.
HENRY
There!There's
your answer!Beanactressagain.
Lauracomesin.SheseesJenny.
LAURA
Jenny
Lawson!
JENNY
Laura!
LAURA
What
areyoudoinghere?
19
JENNY
Waiting
for
Gilbert.
LAURA
(SmilingatHenry)
And
who
isthis?
HENRY
My
name
isHenry.
I'm
afilmstudent.
JENNY
Sitdown,
Laura,
please.
LAURA
No.
Ican't
stop.
My
children
are
here.
We
are
all going
toAmerica.
Allthe
family.
Iwrite
books now,
you
know.
What
do
you
do?
JENNY
Me?
Nothing.
LAURA
Have
you
got
children?
JENNY
No.
LAURA
You
look
unhappy,
Jenny.
Atschool
you
were beautiful
and
good
ateverything.
And
now
you
are
older,
with
nowork
and
no
children.
Oh
dear!
JENNY
What? Laura!
Why
did
you
saythat?
Lauragoes.Jenny
isveryunhappy.
HENRY
Ihave
to
gonow.
(Hepicksuphisbag.)
JENNY
What's
-
what's
that name
on
your
bag?
(Readingthename)
Henry
Gilbert
Lawson.
I know
you
now!
Gilbert! You
are
Gilbert,
when
hewas
twenty
years
old. But-
why
are
you
here? Oh
no!
Aaaaggghhh!
Henry
runsout.
20
SCENE
3
JennylearnsaboutGilbert
Therearefourpeopleatthecheck-in,Woman
1,Woman
2,amanandJenny's
father.
They
arewaiting.
ABritish Airways
manislooking
atFather'splaneticket.Jenny runsin.
JENNY
Excuse
me!Oh,
father!
What
are
you
doing
here?
FATHER
Jenny,
smile.
Behappy.
JENNY
What?
WOMAN
1
(ToJenny)
Hey!
Iwas
here
before
you.
MAN
(ToJenny)
Iwas
infront
ofyou,
too.
":OMAN2
(ToJenny)
Are
you
OK,
love?
(ToWoman
1 andman)
She's
white
inthe
face!
JENNY
(TotheBritishAirways
man)
Excuse
me
...
BRITISHAIRWAYSMAN
(Looking
attickets)
Can
you
wait, please?
JENNY
No!
My
name
isJenny
Lawson
...
BRITISHAIRWAYSMAN
Ah!Mrs
Lawson!
We
phoned
you
at home.
There
was
no
answer.
Mrs
Lawson,
I'm sorry,
but
Mr
Lawson's
plane
crashed
inthe
sea. He's
dead.
JENNY
Oh
no!!!
21
SCENE
4
Jennyunderstandseverything
Jenny's
fatherandmother
andJenny
areallsittingat atable.
JENNY
Theyalldied.Allthepeopleontheplane.
MOTH
E
R
OhJenny!
FATHER
Yourmother
andIaresosorry,mylove.
JENNY
Thank
you.Whywereyouattheairport,
father?
FATHER
Me?Iwasn't
attheairport.
check-indesk.Yousaid
'Behappy.'
Thenyouleft.
FATHER
No!
JENNY
Waitaminute. (Telephoning)
Hello, Laura?Laura,
thisis JennyLawson.Wewere atschooltogether.
Laura, Isawyouattheairport, remember,
and-oh!
MOTHER
What
isLaura
saying?
J
E
NNY
Yes,youwere!YouwereattheBritishAirways
JENNY
Shesaid,'Iwasn't
atthe airport.'
(Intothe telephone)
Laura,
one
'Laura,
this
is
Jenny
Lawson
.
'
'Your
mother
and
Iare
sosorry
.
r
22
question.
Doyouwritebooksnow?Y
e
s.Thank you.
(Puttingthephon
e
down,
andsp
e
aking
to herfatherandmoth
e
r)
Sh
e
writ
e
sbooks.
MOTHER
Isthat
important?
JENNY
Yes.Laura
wants
towritebooks,
soshewrites books.
Andshe'shappy.
Attheairport,
father said'Behappy.'
AndHenry
GilbertLawson
said
'Beanactressagain.'
MOTHER
Iunderstand.
JENNY
Iunderstand
now,too.Mydarling
husband,
I'm goingtobeanactressforyou,again.Agood actress.Thank
you.Sosleepnow,mydarling.
•
INTRODUCTION
BradandJerryarenineteen,
andtheyareinBritainonholiday.
It
isanunhappy
timeforBrad:hisfather
diedlastmonth.
His father wasDickDavisofDavisTVandwhenhegoesbackto America, BradisgoingtobeBradDavisofDavisTV.Onehot day,
Brad
and
Jerry
stop
at
a hotel
in
avillage,
and
some strange
thingshappen
there...
CHARACTERS
IN
THE
PLAY
BradDavis,ayoungAmerican
man, agednineteen
JerryMaloney,Brad's friend Theghostof EllenBannister MrsFinch,fromthehotel
Maud
Anscombe,
anoldwoman
fromthevillage
MrsMorgan,
whoworks
inthevillageshop
Three
women
andtwomenfromthevillage
PERFORMANCE
NOTES
Scene1:Ahotelroom
withtwobags,abook
about
Britain,
a television,
abed,awatch
forBrad.
Scene2:Aroom
withatableandthreechairs.
Scene3:Inashop,withtwocokes,sandwiches,
money.
Scenes4and5:The
sameroom
asScene1,with
abedand
a television.
Scene6:Inthestreet,withtwobags.
You
willneed
summer
shirts
forBrad
and Jerry,
and
along dressforEllen.Thetelevision
doesn't
havetowork.
24
AGhost
inLove
SCENE
1
Bradseesaghost
BradandJerrycomeintothehotelroomandputtheir bagsdown.
Itisahotdayandtheyarewearingsummer shirts.Bradsitsonabed.
JERRY
Man,
Iwant
adrink.
Twenty
milesinone morning!ArethebicyclesOK,inthestreet?
BRAD
Inthislittlevillage?Ohyes!Nobody
steals bicycleshere.
JERRY
How doyouknow?Thisisyourfirsttimehere.
FirsttimeinEnglan
d
.
OramIwrong?
BRAD
No,you're
right.But-
Iremember
thisvillage.I
washerebefore,Jerry.
Icanfeelit.
JERRY
Ohcomeon!Wewereoutinthesunforfive hours.
Youneedtodrink
somecoldwater,
my friend!
BRAD
Thishotelopened
in1853,right?
J
E
RRY
.
(Hegetsabook
about Britainoutofhisbagand looks init.)
Right.Brad,youlookedatthisbook before.
BRAD
No,Ididn't.
Hey,youknowsomething?(Helooks
athiswatch.)
It'sone-fifteen.Mydaddiedatthis
25
minute,
onthisdaylastmonth.
J
E
RRY
Yeah.Hey,corneon!Let'sgooutinth
e
sun.L
e
t's
JERRY
BRAD
Oh,Brad.I'msorr
y
.
No,no.It'sOK.I'mgoingtogobacktoNew
BRA
D
se
e
thevillage.Haveadrink.
Findsom
e
girls.
No,
y
ougo.Ilikeithere.Hereinth
e
room.
Yorkn
ex
twe
e
k,
a
fterourthreeweeksin
England.
AndI'm
g
oin
g
t
o
be'Br
a
dDavi
s
,of
JERRY
OK.Let'sstayintheroom.
Hey!There's
a tel
e
v
ision.
(j
e
rryputsthete
l
e
vision
onbut
D
a
vi
s
TV'.
D
a
dwanted
that.
nothing
happens.)
Hmm.
BRAD
Not
working?
Oh,forgetit.
J
E
RRY
BRAD
No!You're BradDavisofDavisTelevision,
th
e
biggestinAmerica. Youmusthaveatelevision! Look,shallI
g
odown
andaskMrsFinch?You stayhere.Youlooktired.
Y~ah;thanks,
Jerry.
Iamtir
e
d.
Jerrygoesout.Bradlooks
atth
e
bo
o
k
a
b
o
ut
Britain.
BRAD
(
R
ea
din
g
fr
o
mth
e
b
oo
k
)
'In
1.
7
6
0
th
e
h
o
t
e
lw
asa
hous
e
.Afamily
ca
ll
e
dB
a
nni
s
t
er
liv
e
dinth
e
h
o
us
e
. On
e
d
a
y,th
e
nin
e
t
ee
n-y
e
a
r-
o
ld
d
a
u
g
ht
e
r
,
El
l
e
n
-
' Th
eg
host
o
f
E
ll
e
nB
a
nni
s
t
e
r
co
m
e
sin.
S
heis
wearingadr
e
ssfrom
1760.
_:.
-
-
-
::-
-
-
-
:::.::.::...._.
They
s
taved
a
t
the
hotel
inthe
village.
26
E
L
LEN
BRAD E
LLE
N
BRAD ELL
E
N
Iwasnevernineteen.
Idiedateighteen. Ye
s
,
-
Irem
e
mber
you.Hello,Ellen.
Hello,
Matthew.
Wh
y
doesyourfriendcallyou
Brad?Isth
a
t
aname?
Yes.It'sanAmerican
name.
ButyouareMatthew
andI'mgoingtocall
y
ou
Matthew.
Always.OhMatt
h
e
w.
Iwai
t
e
d
a
nd
2
7
waited
a
ndwaited
for
y
ou.Ilove
y
ousomuch. Doyoulo
v
eme?
BR
AD
Yes.Ithink
-
Yes
,
Id
o
.
'
Hell
o,
Ell
e
n
.'
2
8
ELLEN
Yo
uthink!I
s
th
a
t
an
a
n
swer
?
A
ft
era
llth
ese
years
?OhM
a
tth
e
w!
Matt
h
e
w
,
do
yo
ur
e
m
e
mber e
ve
r
y
thing?
BRAD
No,noteverything.
Irem
e
mber
ourlov
e
.And
y
oudied,Ir
e
member
that.
Iwanted
tod
ie
too.
Andagainl
as
t
m
onth,
I
wa
nted
todie.
E
LLEN
OhMatthew!
D
o
n't
sayt
ha
t!
OhMatth
e
w,
I
'
m
so
happytos
ee
youagai
n
.
B
RAD
E
ll
e
n.CanI
seeyo
u
?Ca
n
we
t
a
lk
?
E
LLEN
Oh
yes
.I
wan
t t
o
t
a
lkt
oyo
u
a
bout-
J
e
rr
yco
m
es
i
nw
i
t
h
M
r
s
Fin
c
h.
E
ll
e
nrunsout.
MRSFI
NCH
'A
r
e
yo
u
OK,
l
ove?Yo
ul
oo
kwhit
e
.
J
E
RR
Y
Thi
s
i
snota
h
appyt
i
meforBrad
.
MRSFI
NCH
I
'
m
sorry
,
l
ove
.
Do
YO
Ll
wa
n
t so
m
ed
inn
er?
I
m
a
k
e
th
e
b
estd
inn
er
in
t
h
e
n
ort
h
ofEng
l
a
nd.
'
Im
ake
the
best
dinner
inthe
north
of
En
g
l
a
nd.
'
29
BRAD
(Smiling)
No,thank
you.
MRSFINCH
Talk
tomelater,then.Right,thetelevision. (Shehitsthetelevision.)
It'sOKnow.Bye-bye, Brad.Bye,Jerry.
Haveanicetimeinourvillage. Shegoestothedoor.
BRAD
MrsFinch!Wait,please.Doyouknow
about
the
Bannister
family?
MRSFINCH
Didyouseetheghost?EllenBannister?
BRAD
Yes.
JERRY
What?Brad,yousawaghost?Oh,comeon!
MRSFINCH
Oh,Ellen'salwayshere.Shelikesyoungmen.
She'salwayslooking
forherboyfriend. Matthew's
hisname,
Ithink.
BRAD
MrsFinch,what
happened?
How
didshedie?
Whathappened
toMatthew?
MRS FINCH
You're
interested,
love,Icansee that.
There's anoldwoman
inthevillage.HernameisMaud Anscombe.
Sheknows
about
Ellen.Youask Maud.
(She goesout.)
JERRY
Brad,thisghost-What
didshesay?
BRAD
(Not
looking
atJerry)
She-
shedidn't
speak, Jerry.
Shesaidnothing
atall.
30
SCENE
2
BradandJerrywanttoknowaboutEllen
Maud
is averyoldwoman.
Herhairiswhite.
Bradand
J
e
rryaresittingatatablewith
herinherhouse.
MAUD
EllenBannister?Abad,badgirl.Whenshe looked
atsomeone,
thenextdaytheywereill.
JERRY
SOshewasawitch?
MAUD
Yes.Shelooked
atanimals
too.Then
allthe co\\:,
s
inthevillagehadnomilkinthem.
BRAD
(Angrily)
Do-doyouknow
this?How
doyou
know?How canyouknow?
MAUD
Oh,it'sinallthebooks.
Ourvillageisfamous becauseofbadEllenBannister.
'Then
all
the
cows
inthe
village
hadnomilk
in them
.
'
31
SCENE
3
WasEllenawitch?
BradandJerryareinMrsMorgan's
villageshop.
There aretwo
menandthr
ee
women
intheshop,andMrs
Morgan.
MRSMORGAN
Ye
s
?Are
you
next?
JERRY
Yes.
Two
cokes
please.
And
two
ofthose sandwiches.
BRAD
I'm
not
hungry.
JERRY
Man,
you
must
eat.
You
can't
sitinyour
room allday
and
wait
for
aghost.
MrsMorgan
getsthecokesandthesandwiches.
MRS MORGAN
That's
sixpounds,
please.
(jerrygivesher themoney.)
What
ghost's
this?
Ellen
Bannister?
BRAD
(Angrily)
Yes!
JERRY
Do
you
know
about
Ellen
Bannister?
MRSMORGAN
Oh,
people
inour
village
had
no
money then.
Of
course
they
stole
things.
And
Ellen Bannister
sold
them.
Sheonly
wanted
to
help.
JERRY
Was
sh
e
awitch?
Some
people
saythat.
MRS MORGAN
Awitch?
(Laughing)
No,
ofcourse
not.
The men
loved
her.
Shehelped
them,
you
see.The women
didn't
loveher
somuch.
Shewas
beautiful,
you
see.
32
'
He
stole
thingsfrom
rich
people
.
'
WOMAN
1
Her
boyfriend
was
the
bad
one,
that
Matthew.
It
wasn't
her.
BRAD
(Drinking
hiscoke)
Oh.
What
did
hedo?
WOMAN2
He
stole
things
from
rich
people.
Then
she
sold them
and
hetook
allthe
mon
e
y.
He
took
allher money,
too.
But
sh
e
loved
him.
BRAD
Did
helove
her?
MAN
1
No.
He
had
two
or
three
women.
WOMAN
3
No,
hedidn't!
He
loved
her.
He
lived
for
her.
MAN
2
Who
are
you
talking
about?
That
witch
Ellen
Bannister?
Sheate
cats
for
breakfast.
WOMAN
3
(ToBradandJerry)
Oh,
don't
listen
tohim.
MRSMORGAN
(Laughing)
Don't
listen
to
these
people,
you boys.
What
happened
to
Ellen
Bannister?
You
want
toknow
that?
Matthew
killed
her.
33
S
CE
NE
4
Where
isEllennow?
Itisnighttime.J
e
rryis
s
itti
n
g
onth
e
b
e
d.Bradi
s
walking
up
andd
o
wn
.
BRAD
S
e
v
e
nh
o
ur
s
.
W
e
w
a
it
e
d
seve
nhour
s.
Wh
e
r
e
i
s
s
h
e
,J
e
rr
y
?
J
E
R
R
Y
I
s
aidthisbef
o
r
e
.Idon
'
t
know.Just
wa
it.
BRA
D
Sheisn't
c
omin
g,
b
e
causeyou're
here.
J
E
RRY
Brad,
I
say
a
g
ai
n.
One.
I
sleephere.Thi
s
ism
y
room.
Two.
I
a
my
ourfriendand
I
amnot leavingyoulik
e
thi
s
.
B
R
AD
Jerry,
isthis
a
ll
a
b
ig
l
a
ughforyou?
J
ER
RY
No.Notno
w.
I
w
a
nt
to
s
eeElle
n
,
too.
I
w
a
nt
to help.
B
RAD
OK.Thank
s
,
J
e
rr
y
.
Sorry.Hey,here
s
h
e
i
s
.
TheghostofEl
l
e
n
c
omesintotheroom.
BRA
D
Ellen,El
l
e
n.It'sm
e
,Brad,Matthew.
J
E
RRY
M
a
n,
ohm
a
n!It'
sa
lltru
e
!
BRAD
E
ll
e
n,pl
eas
e
.
Te
llm
e
,
w
h
a
t
happ
e
n
e
d,
i
n
1
7
60?
ELLEN
Y
o
umu
s
tr
em
e
mb
e
r!
BRA
D
No.
ELLEN
Wesoldthin
gs,yo
u
a
ndme.Richpeopl
e
'
s
th
i
ngs.
Y
ou
s
t
o
l
e
th
e
m,
remember?
J
ER
RY
Wow!Brad,
yo
u
w
ereRobin
Hood!
Sorr
y
!
3
4
EL
L
EN
Therichp
e
opledidn
'
t
lik
e
m
e
.
T
h
eysa
id
ba
d
th
i
ngsabout
m
e
.
'E
ll
e
nBannister
is
a
witch
.
'
Theysaidthat,
butit
'sn
ottrue.
B
R
AD
Ofcoursenot.
E
L
LE
N
Then,
oneday,th
e
y
ca
m
e
forus.Twenty
m
e
n.
BRAD
What
happened?
ELLEN
We
ranawa
y
.You
f
o
und
as
h
i
p.Ashipgoin
g
t
o
A
merica.You
sa
id
,
'
Seey
ouatone-fiftee
n
.
Atth
e
harbour.
W
eca
n
goaway
,
y
ouandme
.'
B
R
AD
,
Andthenwh
a
t
happ
e
n
e
d
,
Ellen?
ELLE
N
Theshipwente
a
rly.
I
w
a
sn't
thereintime.
Yo
u
wentontheship.Youdidn't
waitforme.
B
R
AD
Ohno!
'You
didn
'
t
wait
for
me.'
35
ELLEN
When
Iarri
ve
d,
th
ere
w
ere
alot
ofship
s
th
e
r
e
.
I didn't
know
th
e
n
a
m
e
o
four
ship.
Ilooked
for you.
Iwai
t
e
d
an
d
w
ai
ted
a
nd
wai
t
e
d
.
B
R
AD
Ellen!
Oh
E
ll
en,
I
'
m
sor
ry.
ELLE
N
Then
th
e
men
cam
e
.
T
h
ey
put
me
inpri
so
n.
Idied th
ree
mo
n
t
h
s
l
ate
r
.
An
d
th
e
n
Ica
m
e
b
a
ck
h
o
m
e
. H
ere.
A
nd
I
wa
it
e
d
aga
i
n.
I
w
ai
t
e
d
f
o
r
yo
u.
BRAD
Il
ove
yo
u
,
E
ll
e
n
.
ELLEN
Ilo
ve
y
ou
t
o
o,
M
a
tth
e
w.
S
CE
NE
5
What
isBradgoingtodo?
I
t
isd
a
rk.Br
a
d
i
s
s
t
a
ndin
g
a
tth
ew
indow
of
t
h
eroo
m. J
e
rr
y
com
e
sin.B
ra
d
a
l
ways
h
a
sh
is
b
ac
kt
o
J
erry
inthi
s
s
ce
n
e
.
J
E
RR
Y
Do
you
want
to
d
ie
?Do
you
want
to
g
oto
E
ll
e
n?
BRAD
Before
toda
y,
th
e
a
nswer
was
'Yes'.
Matt
h
e
w w
a
nt
e
d
to
di
e
a
nd
go
to
bewith
El
l
e
n.
D
o
y
o
u und
ers
t
a
nd
t
h
a
t?
J
E
R
R
Y
Y
es.
B
RAD
But
Ma
tth
ew
is
d
ea
d
a
nd
Iam
Brad
no
w
.
JERRY
And
wh
a
t
d
oes
Bra
d
w
a
n
t?
BRAD
Idon't
kn
ow.
I
'm
thinkin
g
.
I
s
ther
e
a
t
ra
in
from here
toLond
o
n
t
o
m
orr
ow?
.
I
3
6
J
ERRY
Y
es
.
We
c
a
n
put
o
ur
bi
cy
cl
es
o
n
th
e
t
ra
i
n.
We
c
a
n
g
etthe
n
ex
t
pl
ane
b
ac
k
t
o
A
m
er
i
ca
.
Do
yo
u want
todo
that?
BRAD
Idon't
know.
I'm
goin
g
to
tell you
tom
o
rr
o
w
.
37
SCENE
6
In
lovewithaghost
Thenextday.BradandJerryareinthestreet.Jerryhas two
bags.MrsFinchistheretoo.
MRSFINCH
Youmustleave,then?Aweekearly?
JERRY
Yes.I'msorry.
MrsMorgan
comespastthehotel.
MRSMORGAN
Ohhello.It'stheAmerican
boys.Areyou goinghometoAmerica?
BRAD
Jerry's
goinghome,MrsMorgan.
I'mstaying here,atthehotel.I'mgoingtolivehere.Always.
JERRY
Brad,doyouwant
todothis?Think
about
Davis
TV.What
areyougoingtodo,hereinEngland?
BRAD
Idon't
know.
But,yes,DavisTVneedsagood man.Mydadworked
foryearsforDavisTV. Butnowithasagoodman,Jerry.
You.
JERRY
Me?Oh!Thank
you,Brad.
BRAD
That's
OK.I'mhappy.
I'minlove.Shewaited formeandnowI'mhere.I'mnevergoingto leaveheragain.
GLOSSAR
Y
actress
agirlorwoman
who
acts
inplays
or films brother-in-law
your
sister's
husband
build
to make
something
(e.g.ahouse)
byputting
parts
ofit
(e.g.wood,
bricks)
together
cafe
asnack-bar
orsmall
restaurant
where
you
can
buy drinks and
snacks
toeat
check-in
desk
theplace
atthe
airport
where
you
show
your
ticket
and
hand
over
your
luggage
clothe
s
,
things
that
you
wear
tocover
your
body
court aplace
where
judges
and
lawyers
listen
to
trials
cow
afarm
animal
that
givesusmilk
crash
(ofaplane)
tohitthe
ground
and
bebadly
damaged
darling
away-ofspeaking
to someone
welove
director
theperson
who
tells
actors
and
actresses
how
to act their
parts
orsaytheir
words
film
amoving
picture
that
you
seeatthecinema
orontelevision
ghost
thespirit
ofadead
person
that
comes
back
tovisitliving people
harbour
asafeplace
forships,
while
they
prepare
togotosea
judge
theperson
inalaw
court
who
decides
how
someone
will bepunished
mad
ofsomeone
who
isillinthehead
peace
aquiet,
happy
time;many
people
hope
to findpeace
after they
die
prison
aplace
where
bad
people
are
locked
up
put
on
(thetelevision)
toswitch
onorturn
on,
tomake
itwork sell(past
tense
sold)
togivesomething
tosomeone
who
pays
you
for
it
39
steal(pasttensestole)totakethingsthatdonotbelong toyou throw
toliftsomethingupandsenditquickly throughtheair trial
acourtcase,tofindoutifsomeoneisguiltyofacri
m
e
or
not
unhappy
sad,nothappy
voice
thesoundthatyoumakewhenyouspeak
waitress
agirlorwomanwhobringsfoodanddrinkstoyour tableinarestaurant
orcafe
witch
awomanwhousesmagictodobadthings
40
A
GhostinLove
and
Other
Plays
-
ACTIVITIES
ACTIVITIES
BeforeReading
1
There
areghosts
inallthree
ofthese
plays.
Think
about these
questions.
1
Doyou believe
inghosts?
Why,
orwhy
not?
2
Why
aresome
people
afraid
ofghosts?
3
Doyouknow
anystories
orfilmsabout
ghosts?
2
Read
theinformation
onthefirstpage
ofthebook
and
the back
cover.
How
much
doyou know
now
about
the
people
intheplays?
Choose
true
(T)orfalse
(F).
1
Richard
seestheghost
ofhisdead
brother.
T
/
F
ACTIVITIES
While
Reading
OneGhostfortheDay,OneGhostfortheNight
Read
Scene1,then
circlethecorrect
words
inthese sentences.
1
Mary
canhear
something
/
nothing
outside.
2
Richard
is
afraid
/
happy
when
heseesHeston.
3
Heston
is
pleased/angry
with
Richard.
4
Last
year,
Keech /Heston
killed
aman.
S
Keechnow
has
Richard's/Heston'sson's
money.
Read
Scenes2and 3,and
complete
the
summary.
2
Atfirst,Jerry
doesn't
believeinghosts
.
T
/
F
In
the
court,
Reynolds
Keech
about
Tom's
money.
3
Brad
andJerry
come
from
England.
T
/
F
Keech
the
money
to
everyone.
Then
Richard
4
Jenny
meets
theghost
ofherdead
husband.
T/F
the
court
about
the
ghost,
and
everyone
athim.
But
3
The
titles
ofthethree
plays
are:
OneGhostfortheDay,
then
everyone
thedead
man's
voice.
Keechkilled
a
OneGhostfortheNight;Sleepnow,MyDarling;
and
A
man
and
his
money,
Heston
said.
Keech
away
GhostinLove.
Which
places,
things,
and
people
belong
to each
play?Can
youguess?
from
the
court.
Later,
he
.
Richard.
actress,airport,bicycle,hotel,judge,knife,prison, telephone,witch
42
Read
Scene4,and
then
answer
these
questions.
1
Where
isKeech,
and
why
isheafraid?
2
·
Why
can't
KeechhitRichard?
3
Who
isgoing
tobewith
Keecheverynight?
43
Sl
ee
pnow,MyDa
r
ling
Read
Sce
n
e
1.
Choose
thebest question-word
forthese questions,
and
then
answer
them.
What/Where/Wh
o/
Why
AGhostinLove
Read
Scene1,then
match
the
people
with
theinformation.
E
ll
e
n
/
Matthew
/Jerry/Mrs
F
inch/
Brad/
Brad'sf
at
h
e
r
1
and
a
rrive
in
av
illage
inEngland.
1
isGilbert
going
tod
ay
?
2
made
the
b
r
e
a
d?
2
died
one month
ago
.
3
Brad
se
e
s
theghost
of_'
_
inhi
s
hotel
room.
3
w
a
s
thenam
e
ofGilb
e
rt
's
best fil
m
?
4
Al
o
ng
time
ago,
was
Ellen
'
s
bo
y
friend.
4
must
Gilbert
g
otoAmeric
a
?
5
doesJenny
want
todo?
Read
Scenes2and 3.Who
saidthese
words,
and
towhom?
5
w
orks
atthehot
e
l.
Read
Scenes2and
3.What
dopeople
sayabout
Ellen
and
Matthew?
Match
these
halv
e
s
ofsentences.
1
'Iknow
you.
1know
y
o
ur
fac
e
.
'
2
'But
forget
about
me.1want
totalk
about
you.
'
3
'Iwa
s
happ
y
when
1w
as
a
n
a
ct
r
ess.'
4
'Iwrite
books
no
w,
yo
uknow.'
5
'Smile.
Behappy.'
M
a
tthew
s
tole
things
,
Th
e
m
e
n
l
o
ved
Ellen,
M
a
tthew
t
o
ok
allElle
n
's
m
o
ney
,
Wh
e
n
Ellenlooked
atpeopl
e,
theywereillthene
x
td
ay
.
a
nd
Ellen
soldthem.
but
thewomen
d
i
dn
'
t.
but
s
heloved
him.
6
'
She's
white
inthefac
e
!'
7
'We
phoned
you
athome.
There
was
noanswer.'
Read
Scene4.Arethese
s
entences
true
(T)orfalse
(F)?
1
Gilbert
died
w
hen
th
e
plane
cra
s
hed.
2
Jenn
y
's
father
w
as
a
tth
ea
i
r
port
.
3
Laura
was
atth
ea
irp
o
rt
.
4
Laur
a
isawriter.
5
Jenny
isgoing
tobe
a
n
a
ctr
e
ss
again.
44
Read
Scene4.Correct
themistakes
inthis
summary.
Ten
men
came
forMatthew
a
nd
El
l
e
n,
butthey
ran
aw
a
y.
M
a
tthew
went
toFranc
e
.
El
l
e
nwa
s
n't
with
him
bec
a
u
s
e
th
e
s
hipwent
late.
Shedied
a
thom
e
.
Beforeyouread
Scenes5and 6,can
y
ouguesswhat
Brad
is going
todo?
1
H
eis
goingbacktoA
mer
i
ca.
2
HeisstayinginEn
g
l
a
nd.
45
ACTIVITIES
After
Reading
1
Heston
wants
Richard
togethisson's
money
(seepage
4).
2
This
isapage
from
jenny's
diary,
ontheday that
Gilbert leaves
(seepage
17).Usethese
words
tofillinthegaps.
actress,because,director,film,garden,next,together, unhappy,went,works
Puttheir
conversation
intheright
order,
and write
inthe
Gilbert
toAmerica
today.
He's
going
tomake
a
speakers'
names.
Richard
speaks
first (number
6).
.He's
agood
,
and
he
often
inAmerica.
1
'You
cantake
Keechtocourt.
Then
youcantell
I
can't
gowith
him,
Ihave
work
todointhehouse
thejudge
about
myson's
money.'
and
.
I
feel
very
because
I'm
athome
allthe
2
'What!
Aghost!
Incourt?'
time.
Perhaps
next
year
Gilbert
and
IcangotoAmerica
3
'You
must
telleveryone
about
Keech.'
4
'But
Keechisgoing
tobeangry!
I'm
afraid
of
.Perhaps
Ican
beinhis
,Ithink.
film.I'm
agood
him!'
5
'No!
Doittomorrow!
Gotocourt
and
getmy boy's
money.
Do
it!Or
doyouwant
togomad?'
6
'What must
Ido?'
3
Here
aresomeother
titles fortheplays.
Can youmatch
the titles
with
theplays?Which
title
doyoulikebest foreach play,
and
why?
Matthew
ComesHome
7
8
9
10
11
'Well,
Ineed
tothink.
Maybe
next
week
...
'
'That's
easy.Tell thejudge
tocallme.I'm
going tocome
tothecourt!'
'Don't
worry.
The
judge
isgoingtosendKeechto
prison.
Keechisgoingtodiethere.
Hecan't
hurt
you.'
'Ican
say
"Keech
took
themoney."
Buthow
canI
show
that
it's
true?'
'Yes.
I'm
going
totellthecourt
about
Keech-
and hismoney!
Iknow
some
bad
things
about
him!'
]ennyLearnstoLive
TheManwiththeKnife TwoAmericansonHoliday ADeadManinCourt
TimetobeHappyAgain
NoMoreWaiting Thankyou,Gilbert NoPeaceforaKiller
12
'How
canIdothat?'
46
47
4
Perhaps
thisiswhat
some
ofthepeople
inA
Ghost
inLove
arethinking.
Who
a
rethepeople,
and what
ishappening
in theplay
atthemoment?
6
Findwords
from
thethree
playstocomplete
thiscrossword.
Then
findthehidden
word.
Jerry
/
Mrs
Finch
/
Mrs
Morgan
/
Brad
/
E
llen
1
Somep
e
ople
sayEl
l
e
n
was
a
2
Ellen
w
a
ited
for
Matthew
at
the
.
(5)
.
(7)
1
'What
alov
e
lyoldroom!
Wait
aminute.
Iremember
3
Gilbert's
plane
into
the
s
e
a.
(
7
)
this
room.
And
thiswasn't
ahotel,
itwas
ahouse.
A
4
Two
ghosts
visited
K
ee
ch
when
hewas
in
.
(
6
)
girllivedhere,
and
Iloved
her.'
5
The
atthe
c
a
f
e
was
friendly
toHenry.
(8)
2
'Oh,
that
poor
boy!Helooks
white.
Perhaps
he's
tired?
6
We
getmilk
from
.
(4)
Or
hungry?
Heneeds
oneofmydinners!'
7
Keech
killed
arich
man
and
hismone
y.
(
5
)
3
'Why
isn't
Matthew
here?It'squarter
past
one.And
that
8
AtKeech's
trial,
thepeople
can't
s
eeHeston
but
they
ship?Where
isitgoing?
IsMatthew
init?'
can
he
a
r
his
.
(
5)
4
'Why
does
everyone
saythese
te
r
rible
thing
s
about
Ellen Bannister?
Shewasn't
abad
girl.Those
two
American boys
areveryint
e
r
e
sted
inher!'
5
'Soit's
true!
There
really
isaghost!
It's
theghost
ofa young
girl,and
she's
talking
to
Brad.'
5
Which
play
didyoulikebest,
and
which
didyou likeleast?
Can
youexplain
why?Write
ashort
review
ofoneofthe plays.
Usethese
words
tohelp
you.
Ilike
/
don't
likethisplay
beca
u
s
e
_ Itisagood
play
because
_
9
Jenny
h
ea
rd
some
bad
news
wh
e
n
shewas
atthe
.
(
7)
Myfavourite
character
is
It's
ex
citing
when
_
48
because
'
The
hidden
word
is
_
49
ABOUT
THE
AUTHOR
Michael
Dean
taught
a
nd l
e
ctu
r
ed
inELT,
EFLand Bus
i
n
e
ss
English
for
many
ye
ars
.
H
e
was
a
Vis
i
ting
Lectu
r
e
r
a
t
Cass Bu
s
inessSchoolinLondon
,
andisnowafreelancewrit
e
r.
He
has
writ
t
e
n
t
w
o
b
o
ok
s
i
n
the
Oxford
Junior
Engl
i
s
h
se
rie
s
for Hong
Kong
s
chool
s
,
as
we
ll
a
s
Li
s
t
e
nin
g
and Int
e
grat
e
d
Skills
book
s
for OUP
Hong
Kong,
aseri
esw
h
i
ch
ha
s
a
l
sobeensuccessfulinChina.
Heis theauthor
o
fEn
g
lish Gr
a
mmar
lessons
forOUP
.
He
has
pub
l
ished
many
other E
L
T
textbooks
a
nd
skills books,
aswellassupport
a
nd supplem
e
nt
ary
ma
t
e
rial,
inthe Arabworl
d
,
Eastern
Europ
e
,
Holland,
Ge
r
many
andSpain.
50
OXFOR
D
B
OOKWORMS
L
I
B
RARY
C
l
a
ssics
»
Crime
&Myst
er
y·
F
act
fil
e
s
•
Fantasy
&Hor
ro
r Humanlnterest
»
Plays
c
ri
pt
s
•
Thriller
&Adventu
r
e
TrueStorie
s
»WorldStories
Th
e
OXFO
RD
B
OO
K
WORM
S
LI
BRARY
pro
v
id
es
enjo
ya
ble
reading
inEngli
s
h
,wi
th
a
w
i
d
era
ng
e
ofclassicandm
o
d
e
rn
fict
i
o
n
,
non
-
fiction,
andpl
ays
.
It
i
n
clud
e
s
o
ri
g
i
na
l
a
nd
a
dapted texts
inse
ve
nc
aref
ull
y
g
r
ad
e
d
language
s
ta
ges,
w
h
i
ch t
a
k
e
l
ea
rner
s
f
rom
beginner
toadv
a
nc
e
d
l
eve
l.Anovervie
w
i
sgi
v
e
n
o
nth
e
n
ex
t page
s
.
AllSt
age
1titles
are
avai
l
a
ble
a
s
a
ud
i
o r
ec
ordings,
aswell
a
s
ov
e
r
e
i
g
ht
y o
th
e
r
tit
l
e
s
from
Starter
toStage6
.
AllSt
a
rters
and
many
titles
a
tSt
age
s
1
to
4ar
e
speci
a
ll
y
recommended
for
y
ounger
learner
s
.
EveryBookworm
is illu
s
tr
a
ted,
and
Starters
and
F
actfi
l
e
s
h
a
ve
full
-
co
l
our
illustratio
n
s
.
Th
e
OX
F
O
RD
BOO
K
WORM
S
LIB
RARY
a
l
soof
f
e
r
s
e
x
tensive
support.
E
ach b
oo
k cont
a
ins
a
n introduction
toth
e
stor
y
,
n
ot
es
a
bout the
auth
o
r
,
agl
ossary, a
nd
a
cti
v
iti
e
s.
Additional
r
eso
urc
es
include
tests
and
w
o
rk
s
he
e
t
s,
a
nd
a
n
swe
r
s
for
these
and
for
th
e
a
ctivit
i
es
in the
bo
o
ks
.
There
i
sad
vi
ce
o
n ru
n
ning
a
clas
s
library
,
usingaudi
o
r
eco
rdin
gs
,
andtheman
y
w
ayso
fu
s
in
g
O
x
f
or
d
Bookworms
in re
a
din
g
p
rogra
mm
es
.
R
e
source
mat
e
ri
a
l
s
a
re ava
i
l
a
b
l
e
onthewebsite
<
www.
o
up
.
c
o
m
/
b
oo
kworms
>
.
Th
e
Oxford
Bookworms
Coll
ec
ti
o
n
i
s
a
s
er
i
e
s
for
advanced
le
a
rn
e
r
s.
It
c
o
ns
ists
ofvo
l
umes
ofshort
stori
e
s
byw
e
ll-known
authors,
both
cla
s
si
can
d m
o
d
e
rn
.
Te
x
ts
arenotabridged
o
radapt
e
d
in
a
nyway,butcareful
l
y
s
el
ec
t
e
d
to
b
ea
cc
es
sible
totheadvanced
s
tud
e
nt.
You
ca
nfinddetails andafulllistof
t
itl
es
inth
e
OxfordBookwor
m
sLib
r
ary Ca
t
a
l
og
u
e
a
nd
OxfordEngli
s
h
La
n
g
u
ageTeac
hingCatalogu
e
s,
and
o
nth
e
web
s
ite
<
www.oup.com/book
w
o
rms
>
.
51
THE OXFORD
BO
OKWORMS
LIB
R
A
R
Y
GRADIN
G
AND
S
A
MPLE
E
X
TR
AC
T
S
STAR
TE
R
•250
HEADWORDS
present
simpl
e
-
present
con
t
i
nuous
-
imp
e
r
a
ti
ve
-
can/canno
t
,
mu
st-goi
n
gto
(futur
e
)
-
simple
ge
ru
n
ds
.
.
.
Her
phone
isringing
-
but
where
isit?
Sal
l
y
getsout ofb
e
d
a
nd
lo
o
ks
inherbag.Noph
o
n
e
.
She look
s
under
th
e
b
e
d
.
N
o
phon
e
.
Then
shelook
s
b
e
h
i
nd
the door
.
There
i
s
her
phon
e
.
S
a
ll
y
picks
up her
ph
o
n
e
and an
s
w
e
r
s
it.
Sally'sPhon
e
STAG
E
I
•
400
HEADWORDS
...
past
simpl
e
-
coor
dinat
i
o
n
with
and,but,
or
subordination
wi
t
h
b
e
f
ore,a
f
te
r,when,bec
au
s
e
,
so
.
.
.
I knew
him
in
Persi
a
.
H
e
w
as
a
famous
build
e
r
a
nd
I worked
with
him
th
e
r
e
.
For
a
time
Iwas
hi
s
fri
e
nd,
but n
o
t
for
long
.
When
he
ca
m
e
to
Par
i
s, Icame
a
ft
e
r
him
-
I
wanted
to
w
atch
him.
He
w
as
a
ver
y
cl
e
v
er,
v
e
ry
d
a
ngerous
man.
ThePhantomoftheOpera
STAG
E
2
•700
HEADWORDS
.
.
.
pr
es
ent
pe
r
fe
c
t
-
w
ill
(f
u
t
ur
e)
-
(do
n
'
t
)
h
a
veto,mu
st
n
ot,co
ul
d
co
mp
a
rison
of
a
dj
ect
iv
es
-
simp
l
e
if
cl
a
use
s
-
p
a
st
co
nti
n
u
o
u
s
-
t
ag
qu
est
i
o
n
s
-
ask/
t
e
ll
+
infinit
i
ve
.
.
.
Whi
l
e
I
w
aswriting
th
esewo
rd
s
inm
y
diar
y
,
Id
e
cid
e
d
w
h
a
t t
o
do
.
Imust
tr
y
to
esc
a
p
e.
I
s
hall
trytogetdown
th
e w
all out
s
ide.
The
windo
w
i
s
hi
g
h
above
theground
,
but
Ih
ave
t
o
try.
I
s
hall
take
som
e
ofthe gold
with
me
-
ifI
es
cape, p
e
rhaps
itwill
behelpful
la
t
e
r.
Dracula
52
ST
A
G
E
3
•
1
000 H
EADWO
R
DS
.
.
.s
h
o
uld
,
m
ay
-
pres
en
t
p
e
r
fec
t
con
tinu
o
u
s
-
use
dt
o
-
p
as
t
perfect
- ca
u
sa
tive
-
r
ela
t
ive
cl
a
u
ses
-
indi
r
ec
t
s
t
a
t
e
m
e
nt
s
...
Of
c
o
urs
e
,
it
was
most
imp
o
rt
a
nt
that no
one
s
h
o
uld
see Co
lin,
Mary,
orDickon
ent
er
ing
thesecret garden.
So
Co
lin gav
e
orders
to
the
garden
e
r
s
th
a
t
they
must
allke
e
p
aw
a
y fr
o
m
that
part
ofthe
garden
i
n
f
uture.
The SecretGarden
STAGE
4
•1400
H
EA
D
W
ORDS
.
.
.
p
ast
p
erf
ec
t
cont
in
uo
u
s
-
passive
(s
imple
f
o
r
ms)
-
wou
ld
cond
i
ti
ona
l
cl
a
u
ses
-
i
nd
ir
e
c
t
qu
es
tio
ns
-
rela
ti
v
e
s
w
ith
w
her
e
/
w
h
e
n-
ge
rund
s
a
ft
e
r
pre
po
sit
i
on
s
/
phr
ases
.
.
.
Iw
as
glad.
Now
Hyde
could
n
o
t
s
how
h
i
sfacetoth
ewo
rld
aga
in
.
If
hedid,everyhonest
m
ani
nLondon
would
b
e
p
ro
ud tor
ep
ort
himtothepoli
c
e
.
DrJekyllandMrHyde
STAG
E
5
•1800
H
EA
DWORDS
...
f
utur
e
co
n
t
inu
o
u
s
-
fu
t
u
re
p
er
fect
-
pass
i
ve
(
m
o
d
a
l
s,
co
nt
i
nu
o
u
s
f
or
m
s
)
-
wou
l
d
h
ave
co
nd
i
ti
o
n
a
l
cl
a
u
ses
-
m
o
d
a
l
s
+
perf
ec
t
i
n
fin
i
ti
ve
.
.
.
If
h
e
h
a
d
s
pokenE
s
t
e
ll
a
'
s
n
ame,
I
w
ould ha
ve
h
i
th
i
m.I
wasso a
n
g
ryw
i
thhim,and
so
d
e
pr
esse
d
a
b
o
ut
m
yf
utur
e
,
th
a
tI
co
uld n
o
t
ea
tthebreakfast.
In
s
t
ea
d
I
w
e
nt
s
t
ra
i
g
ht
totheoldhou
se.
Gr
e
atExpectations
STAGE
6
•
2500
H
EA
DWORDS
.
.
.
passiv
e
(
infini
t
i
ves
,
ge
run
ds
)
-
a
d
van
c
e
d
m
o
d
a
l
m
ea
nin
gs
-
cl
a
u
s
e
s
ofco
n
cess
i
o
n
,
con
d
i
tion
W
h
en
I
s
t
e
pped
uptothepi
an
o,
Iw
as
confident.
Itw
asasif
I kn
e
wthat theprodigy
s
id
eo
fm
e
re
a
ll
y
didexist.And
w
h
e
nI
s
t
ar
t
e
d
toplay,Iwassocaught
u
p
inhowlovelyIl
oo
k
e
d
th
a
t
Ididn't
worry
howIwould
so
und
.
Th
e
JoyLuck
C
lub
53
BOOKWORM
S
·
PLAYS
C
RIPTS
.
STAGE
1
TheButlerDid
It
andOtherPlays
BILL
BOWLER
Retold
by
ClareWest
How
doyougetalicenceifyouwant
tokeepamonkey?
What
can you
doifyour
wifehasalover?
How
canyou
seeinto
th
e
future? Where can
you
gofor
an
exciting
but
cheap
holiday
som
e
where hot
and
far
away?
How
can
y
ou
persuade
your
girlfri
e
nd
or bo
y
friend
tomarry
you?
The
characters
inthese
sixoriginal
short
plays
are
looking
for answers
to these
questions.
While
trying
to solve their
p
r
oblems, people
get
into
some
very
funny
situations.
Each
play
gives
an amusing
view
of
life
today,
and
there
is
often
an
une
x
pected ending.
BOOKWORMS·
PL
A
Y
SCRIPTS .STAGE1
TheMurderofMaryJones
TIM
VICARY
The
court
room
isfull
for
today's
trial.
Two
young
men,
Simon Clark
and
Dan
Smith,
stand
up.
The
clerk
asks,
'Are
you
g
uilty
of th
e
murder
ofMary
Jones?'
'Not
guilty!'
they
reply.
Butperhaps th
e
y
are
guilty.
The
polic
e
found
the
murder
weapon
in
their stolen
car,
and
there
was
blood
onSimon's
face.
Ifthecourt
finds them
guilty,
they
willgotoprison
for
averylong
time.
Can
the
lawyers
find
o
ut
the
truth,
by asking
the
right questions? Everyone
incourt
wants
toknow
who
murder
e
d
Mary Jones,
especially
her
mother,
a
nd
her
boyfriend,
Jim.
You
can help
tofindthe
answer,
too!
54
BOOKWORM
S
·
PL
A
Y
SC
RIPT
S
.
ST
A
GE2
Hamlet
WILLIAM
SHAK
E
SPEARE
Retold
by
AlistairMcCallum
Why
does
Hamlet,
the
young
Prince of
Denmark,
look
so
sad? Why
does
heoften
saystrange
things?
His family
and
friends
are worri
e
d
about
him.
Perhaps
heismad!
ButHamlet
thinks
that
hehasdiscovered
aterrible
secret
about
arecent
crime
inhisfamil
y
.
Now
hehas notime
forOphelia,
the sweet
girlwho
loveshim,
orhisfriends,
who
were
atschool
with him
.
He
sitsalone,
and
thinks,
and
plans.
What
will hedecid
e
to do?Will
heeverbehappy
again?
This
famous
play
by
William
Shakesp
e
are,
written
in
about
1600,isone
ofthe
finest intheEnglish
language.
BOOKWORM
S
·
PL
A
YS
C
RIPTS.STAGE2
RomeoandJuliet
WILLIAM
SHAKESPEARE
Retold
by
AlistairMcCallum
What's in
a
name?
Does
it
really
matter
if
you
are
called Montague or
Capulet?
When
Romeo,
son
of
Lord
and
Lady Montague,
fallsinlovewith
themost
beautiful
girlhe's
everseen, hefinds
out
that
itdoes
matter.
It
makes
allthe
difference
inthe world,
because
both
families
hate
each
other
bitterly.
For
atime,
Romeo
and
Juliet
manage
tokeep
their
lovesecre
t
.
But
when
Romeo
issent
away
from
Verona,
and
arrangements are
made
forJuliet
to
marry
Paris,
afriend
ofher
father's,
hope begins
todie. Can
anyoftheir
friends
help
theyoung
lovers
tobe together
for
ever?
Bạn đang đọc truyện trên: TruyenTop.Vip